Well damn. Last time I posted, I was pleading for a poem to get me through the sh*t show of the presidential election, the insanity of recent Supreme Court rulings, the ongoing popularity of a certain weird wannabe dictator, and the creeping fascism here and abroad.
But now—wow. Here I am, a few weeks later, feeling actually HOPEFUL. Energized! Pumped!
And extremely relieved.
Ever since the disastrous presidential debate back in June, I’ve been firmly on team “Love You Biden, But You Gotta Drop Out”—as were many, many other people I know. (It wasn’t just the New York Times and “elites,” my friends.) I knew that if he withdrew, no matter who the replacement candidate ended up being, it would unleash a surge of hope and energy and momentum.
But even with all the pushback Joe was getting, it still felt like he would never back down. It would just be too big, too unprecedented. Too ACTUALLY GOOD NEWS. Hence me writing mournful meta-poetry on Substack.
Shortly after I did that, my husband and took off to spend some time by a lake in New Hampshire (the place with the wildlife). I was feeling so demoralized and discouraged that I vowed to ignore the news and social media completely. I would just focus on reading books, swimming, hiking, drinking wine, and drinking wine.
But then, on our first full day, just as we reached the top of a little nearby mountain on a late morning hike, our phones started blowing up with texts, and everything changed.
Biden dropped out!
OMG! He’s out!
IT HAPPENED
A few minutes later—after some brief return texting and news-looking—we snapped the below selfie. Look how simultaneously thrilled and terrified we look!
OK, maybe just thrilled. (With that view, how could we not be?) But we were definitely a little anxious on the inside. Because what would happen now? How? When? Who? Would the Dems manage to keep it from becoming the sort of circular firing squad clusterf*ck they so excel at? Would progressives and moderates start bare-knuckle boxing in the streets?
But within hours—minutes?—it was clear that Kamala was going to be the candidate. And instead of people freaking out and being all “She can’t win! She’ll be a terrible candidate! We’re doomed if she runs!” as so many people had been saying for so long (I confess, I was one of them), suddenly it was just: LET’S GOOOOOOOO!!!! 🥥🌴🥥🌴🥥🌴🥥🌴🥥🌴🥥
It’s been that way ever since. And I am fucking loving it.
Look, I’m not naive enough to think that the forces of MAGAism and Christofascism and all the other bad -isms will be defeated in November, or ever. But for the moment, I’m feeling a whole lot better about things—and I suspect a lot of you reading this feel the same way.
So perhaps you, like me, no longer feel quite as desperate for poetry. Or inclined to write it yourself.
Speaking of which: I must say, it was unexpected and sort of delightful and fun that many people (including some actual poets!) thought that that thing I wrote *did* in fact count as a poem.
Then again, there was a brief time in my life—specifically, the year that Where the Sidewalk Ends came into my life—when I wrote copious amounts of poetry. Behold, my first (and only) chapbook, Over The Rainbow ©1981
And two poems from it, which showcase my immense range—from paens to rainbows, hearts, unicorns and other Lisa Frank fodder, to wholesale ripoffs of Shel Silverstein poems.
Anyway.
November—and the future of America—may still end up being a sh*t show. Meanwhile, war is still raging and the planet is still warming and AI is still, eventually going to kill us all. But at least there’s a little more hope in the mix.
Here’s a poem by an actual poet that I think sums that sentiment up pretty well.
Thanks
BY W. S. MERWIN
Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions
.
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
.
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you
.
with the animals dying around us
taking our feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
thank you we are saying and waving
dark though it is
All posts on Jane’s Calamity are free and publicly available, but writing is how I make my living. If you enjoy my work, please consider upgrading to a paid subscription, or buying my poetry-free novel. Thank you!
Jane, your childhood poetry is magnificent and you should publish it as a children's book. With those exact drawings. I recently found a note from a poetry competition in 8th grade. The judge's remarks which still keep me up at night: "These are a bunch of observations that don't equal a poem." I was 12!!
Come for the feel-good, hopeful vibes. Stay for the juvenalia poetry. LOVE it! I have a few of my own (definitely also involving unicorns and rainbows, though my inspirations were less Lisa Frank and more Mrs. Grossman's). Perhaps we need to start a show-us-your-childhood-poetry challenge?